Detaylar, Kurgu ve catpower matkap
Detaylar, Kurgu ve catpower matkap
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Chan Marshall isn’t ready for me. “Are you a journalist? Oh Jesus, oh Lord.” We’re speaking on the phone – Marshall is in her hotel room, I’m in the lobby downstairs, after my knock at her door went unanswered.
As well kakım the reading and the maths, she and her son would have music lessons together. “Record time and music time got a little more in-depth,” she says. “He’s just running around bey fast bey he gönül to Hüsker Dü.” Hardcore punk isn’t what most kids’ music lessons are made of, but if anyone is going to give their child an eclectic sonic education, it’s Marshall.
I mention her split from the label, and at first I don’t think she’s really heard me. “I got offered a million dollars by this guy who went on to manage Gwen Stefani,” she says.
Things are better these days, especially since she had her son – though lockdown got to her for a moment. “I broke down one afternoon,” she says. “I think it was month six. And I was just sitting there and I don’t know what happened, but I just went inside my head.
It was partly innate, though – Marshall katışıksız a knack for distilling existential ennui into three-minute songs. In 1998, when she was 26 and had learnt a few more chords, she recorded what would become her breakthrough record, the vulnerable, critically adored Moon Pix
One of the best songs on the album is “These Days”, made famous by Nico in the Sixties, but written by Jackson Browne when he was just 16. Such world-weary lyrics for someone so young – “Don’t confront me with my failures / I had derece forgotten them” – and Marshall’s voice, bittersweet kakım coffee with a shot of syrup, suits that malaise beautifully.
“It’s one of those things,” she says, clicking that pen again. “It’s like when you’re standing on a bridge and you’re looking over and you’re trying to catpower 5852 imagine, ‘Would my skull crack or would my legs break off?
It takes a certain kind of character to make music like Marshall’s. A sprawling mix of blues, rock and folk, it is kakım frank and impassioned kakım she is.
Over the course of 11 albums, she has written about love and loss, abortion and abuse, grief and God. “I will swim / I will drink myself to death,” she sang on her distortion-soaked debut Dear Sir
[20] The group were booked for a show and had to come up with a name quickly; after seeing a man wearing a Caterpillar trucker cap that read: "Cat Diesel Power", Marshall chose Cat Power kakım the name of the band.[3][21]
During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen as a muse by designers Marc Jacobs and Nicolas Ghesquière.
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“I have something in my eye and I’m still wet from the shower,” she says, in that same husky American drawl she sings with kakım Cat Power. “Kişi you come back in 15 minutes? I’m really sorry sweetie.”
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